Saturday, August 1, 2015

Donning The Suit Of Lights (Matador #3)


                                              An original acrylic painting, on stretched canvas
                                              20 X 16". unframed
                                              $1,400.00, - ( plus $35.00, pack and ship )

                                                        ( Click on image to enlarge )

     People often ask artists and writers why they continue to ponder bullfights and
the bullfighters, as subject matter for their creative works.  The questioners probably
hear as many different answers to their quires as the number of famous, or less well
known creative personalities, that they have asked, including Picasso and Hemingway.
But for me, the answer has to be the endless, abstract, visual possibilities of the
dramatic, ceremonial, and ritual costuming.  The rich, hand-embroidered gold-work
and gem-encrusted presentations the matadors wear, along with their vibrantly colored
capes, are echoes of our ancient past, going back to ceremonial, human and then animal
sacrifice. And those elaborate appointments still symbolize man against the dark forces
of nature, and the one sacrificial hero who goes out to face death, for the sake of all the
others, as their heroic proxy in the arena.  

Wednesday, July 22, 2015

A Winter Morning Encounter

                                           An original acrylic painting, on stretched canvas
                                           16 X 20", unframed
                                            $1,400.00, -( plus $35.00, pack and ship )

                                                        ( Click on image to enlarge )

     This was one of my demonstration paintings for my last workshop.  It was painted
as a response to questions about how to paint snow, and it showed how to build up
layers of undertones before adding the final touches of pure white.  The scene is entirely
     Creating a landscape completely from one's imagination can give an artist unlimited
freedom and possibilities, and yet it can be a trap or dead-end for some who try such
risky ventures.  We have all seen those twenty-five minute, TV art videos, which promote
painting as some kind of happiness therapy, and which value speed of completion over
thought  and observation.  The "landscapes" they crank out do not capture a genuine
sense of place, or a believable feeling of depth of field, or delineate objects in a space
of adequate capacity to hold them.
     In the case of this snowy, forest scene, I hope that I have given it a believable sense
of place, but also that I have given it the better advantage of being a completely imaginary
setting.  That advantage is,of course, the freedom o go beyond simply recording a
landscape as it is seen, to tell more of a complex idea, or even offer suggestions of a
story in the completed composition.  The imaginary landscape can become fantasy
( or even reach into a surreal vision,  such as the painting in one of my previous postings
titled Merlin's Enchanted Keep ). This painting is not that mystical, but it is an attempt
to capture a surreal moment in time, one of those rare, personal interactions with a wild
creature, which a Native American might see as a meeting with one's spirit-animal guide.

    The encounter occurs during a walk along a forest road, early on a perfectly quiet,
windless morning, when a nobble deer silently appears and acknowledges the human
presence with a calm exchange of greetings, looking into each other's eyes knowingly
for a time, before it turns away to walk up the road, perhaps as an invitation to follow
along.  Perhaps the other-worldly nature of such a meeting may suggest the kind of
dream-spirit encounter which can come in the final moments of life, offering assurance
that the last journey will not be too uncomfortable, and that the destination will be
welcoming and natural.

     I'm sure that there are many people who will simply describe this painting as a
picture of a deer in the woods.  I can't argue with that view; we all see what we want
to see.


Thursday, July 9, 2015

Sunrise At Portland Head Lighthouse

                                             An original acrylic painting, on stretched canvas
                                             18 X 24", unframed
                                              $1,800.00, -( plus $25.00, pack and ship )

                                                      ( Click on image to enlarge )

     The Portland Head light, in Cape Elizabeth, Maine, has stood witness to almost our
entire history as a nation.  It was commissioned by George Washington's directive,
and it is the oldest lighthouse in Maine.  Construction began in 1787, and it was
completed in 1791, when it was first illuminated by whale oil.
     Untold numbers of fishermen, whalers, merchantmen and sailors, have looked to the
light, for over two centuries, to guide them through darkness and stormy seas, to find
their safe harbor.  If only it could talk: the stories it could tell!
     All who sail past the light now, should probably lift a glass in a toast to its enduring
legacy.  We can only hope that it will continue to stand for centuries of sunrises to come,
still offering the light of a democracy, ignited by our first president.

Tuesday, June 30, 2015

Sand Dollars for Long John Silver

                                           An original mixed-media painting, on gesso primed Masonite
                                           8 X 10",  unframed
                                           $300.00, - ( plus $12.00, pack and ship )

                                                           ( Click on image to enlarge )

     This painting is another from the series that I have talked about in previous posts.
Each of these paintings is built around memories of favorite, story books of childhood,
usually books containing tales of high adventure, which may still stir some nostalgic
recollections in the grown ups who view the paintings.  For this painting, I imagined a
family vacation at the beach, where the parents planed to catch up on their reading,
and the children have also brought along some of their own favorite books to read.
And what could be more appropriate than Robert Louis Stevenson's rousing tale of
a fabulous, buried treasure on a deserted Caribbean island, and the cut-throat pirates
who will stop at nothing to get the gold for themselves.
     The young reader in this case, has not discovered any gold doubloons washed up
by the storms.  So, if a peg-legged old sea-captain, with a parrot on his shoulder,
should come by, the only treasure pieces that the child can offer him are not a pirate's
pieces-of-eight, they are his treasured, sand dollars, freshly gathered from the beach.

Someone Left Tom Sawyer On The Beach

                                           An original mixed-media painting, on gesso primed Masonite
                                           8 X 10",  unframed
                                           $300.00, - ( plus $12.00, pack and ship )

                                                           ( Click on image to enlarge )

     This painting is another from the series that I referred to in my previous blog, all of
which center about favorite books of boyhood, and the frequent forgetfulness which is
often a part the equation, in children's, easily distracted lives.  In this case, the child has
taken the book farther from home than he has before.  He carried his book to the beach,
but there were many things to see and do on the beach, before settling down to read.
He explored the shore, gathering some of the sun-bleached, sea shells he discovered,
to take home with him when it was time for him to go.  Then he wondered off, following
the calls of sea birds or other children.  But he didn't think about the incoming tide, which
could claim his treasures before he remembers to return.
     We can only hope that all such happy, adventurous lads grow up to enjoy lives with
a love of learning and discovery, before the inevitable tides of time and misfortune come
back again.

Saturday, June 27, 2015

Tom Sawyer Is Lying On The Patio

                                           An original mixed-media painting, on canvas panel
                                           9 X 12", unframed
                                           $400.00, - (plus $12.00, pack and ship)

                                                        ( Click on image to enlarge )

     This painting is one from a series I worked on, using some favorite, boyhood books
as subjects, books which contained familiar, tall tales of adventure or classic fantasies,
which can still evoke a bit of nostalgic feelings, in the viewers who are looking at the
      I have previously posted another of these paintings in this blog, called Who Left Tom 
Sawyer Outside Last Night?   In the story behind that painting, I imagined a scenario in
which  a child had taken a favorite book outdoors to read, but who then became
distracted by friends and other games, and forgot about the book.  The back-story
behind all of the paintings in the series was much the same.
     In the case of this painting, I imagined that, after a cool night, the morning sunlight
finds the book still lying out on the patio, and the butterfly has found the radiant comfort
of the sun-warmed book to be the perfect place to rest and recharge.
     It was my hope that these paintings would help people reflect a bit and recall some of
their long-past days of innocent childhood, when it seemed the most important thing in life
was the necessity of observing the world around us, in all it's miraculous details, from the
colors of falling leaves to the amazingly delicate structure of a butterfly's wings.

     I still have several other paintings from this series.  I will try to get them photographed
and post them to the blog soon.  

Thursday, February 26, 2015

Hot Cocoa, Bedtime Stories and Teddy

                                        An original, acrylic painting on a gesso primed, masonite panel
                                        8 x 10", unframed
                                        $300.00, ( plus $10.00, pack and ship )

     Of all the incentives which parents may use to persuade their little children, that it is
time for them to go to bed, these three things must be among the most frequently used
enticements.  They are also three things which may awaken a bit of nostalgia in some
older viewers.

     This is a fairly traditional, little still-life painting.  The composition is static and calm
except for the drama of the sharply angled lighting and shadows.  The painting also
captures the several, different textures of the materials from which the three objects
were made.
                                                       ( click on image to enlarge )

     If my memory serves me correctly, stuffed, toy bears acquired the name Teddy, after
the well publicized incident in which President Teddy Roosevelt spared the life of a small
bear, while on one of his wild-game, hunting trips.

     Since that time, "Teddy" bears have taken on a permanent role in our daily lives
which makes them a part of the human circle of life   Teddy bears are often the first gift
for a baby, and the bear may become a constant  companion for the child, for several
years.  Later on, in the early teen years of puppy love, girls may receive teddy bears
from boys suffering their first crush, and they might dance to songs with lyrics which
request a girl to be a boy's, little, teddy bear.   When the time comes to marry and
raise a family of their own, those young parents pass on the tradition of giving teddy
bears to their children.  And then , much later in life, when elderly ladies are alone,
and in declining health, they often receive teddy bears, as gifts from kindly nieces or
granddaughters, as a thoughtful remembrance.  And finally. after a loved one passes on,
teddy bears often show up as a part of the memorial tributes
     So. our teddy bears have become primary symbols of  our desire to give comfort
and  enduring love, to those we hold dear, throughout our lives.