......a retrospective, a gallery, a journal, and a continuing exploration, ......until my paints run dry.
Friday, June 30, 2017
The Twilight Enchantment
An original acrylic painting, on gesso primed masonite
15 X 17", unframed
$600.00, ( plus $25.00, pack and ship )
( click on image to enlarge )
There is no more graceful image in all of nature than that of a mute swan, gliding
effortlessly across the still surface of a lake, during a perfectly silent, evening sunset.
That quiet interval of tranquility, as the diurnal world prepares for sleep, and the
nocturnal world begins to awaken, can be trans-formative for appreciative observers.
This painting was an attempt to capture a feeling of that magical wonder, as the
glowing, red ember of the sun is just dropping below the horizon, but is still casting
its final, fading rays.
I was somewhat reluctant to post the photo of this painting, because it is not
accurate enough to give viewers the full sense of the painting. Digital photography
of paintings, which have a high degree of contrast between a very light subject,
and a dark background, are particularly difficult. The light, subject matter often
turns into a formless, white blob, and the dark values become washed-out and
weak.
In this instance, the photo failed to capture all of the feathery detail of the
swan, as well as missing the full depth and richness of the darker passages.
However, perhaps the photo does at least, convey a feeling of the original image.
Monday, June 12, 2017
An Evening At The Teahouse
An original acrylics painting on canvas
16 X 20"
(This painting will not be available from this site
until it is returned to me from an exhibition, but
as with most of the paintings in the blog, giclee
fine-art prints are available. )
( click on image to enlarge )
which are intended to create the feeling of a figure in motion. The heavy lines of the
geisha's kimono are a bit of an homage to Van Gogh and Gauguin and the other post-
impressionists, who admired and collected Japanese, wood-block prints, which also then
influenced their own work. The glow of the lighting of the scene, is intended to convey a
feeling for the look of a geisha performing in the light of lanterns, as they would have done
in the old days.
I seldom document the progress of my paintings as I am working on them, however I
did have a camera at hand while I was working on this one. So I did take a few pictures
along the way, starting from when I first laid out the bones of the structure, and then on
through several shots of successive layers of color overlays and glazes. For those
viewers who may be interested, I am now adding a few of those quick snapshots to this
posting. They may help to reveal more about the early stages of creating the painting.
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