......a retrospective, a gallery, a journal, and a continuing exploration, ......until my paints run dry.
Wednesday, November 6, 2013
The Sleigh-bell, (Lost and Found, No. 9)
An original mixed-media painting, on illustration board
3.5x5", ( mat size, 8.5x10")
$65.00, (plus $10.00, pack and ship)
The antique, heavy-weight bell in this painting, with its incised, petals design on the
base, must have been a fairly costly trinket in its day. It is worn and tarnished now,
(I have taken the liberty of brightening it up a bit in the painting), but back when it was
new and brightly polished, a full compliment of such bells on a horses' livery and graceful
sleigh, would have made an impressive display for a snowy, winter sleigh-ride.
The old bell brings back memories of my childhood, during the mid 1940's, memories
of wilting-hot summers, in the days before air-conditioning and television. That was when
the other children of the neighborhood and I spent our days outdoors, running around
barefooted and trying to avoid any patches of the sidewalks which were not well shaded
from the broiling heat of the sun. Streets which had been baking in the sun all day were
crossed in rapid sprints, accompanied by multiple utterances such as "Ouch! Ouch!
Oh oh, ouch!", until the safety of a shaded sidewalk was reached again.
You may be asking what an ancient sleigh-bell has to do with the heat of summer,
so I will explain the connection. Even in those days there was a vendor we all called
"the ice-cream man", who drove along the streets distributing frozen treats to children,
in exchange for the small coins which we ran breathlessly to fetch from our mothers.
The big difference between those days and now, was the unique means of transportation
used by our ice-cream vendor. He drove an ancient truck which was built on a high,
narrow chassis, and which stood on tall wheels with thick spokes radiating from the hubs
to the tires. The back of the truck had windows along both sides, and when the driver
stopped for the eager shouts of his small customers, he could go from the front of the
truck into the narrow aisle at the rear and stand tightly compressed between the dry-ice
cooled cabinets on either side. When a child called out his choice of cold confection,
the driver knew exactly which compartment-lid to lift and reach down to retrieve the
icy treat.
And now here is where the sleigh-bell memories come into the story. Those days
were long before the age of recorded tunes playing over the loud-speakers, which we
see and hear playing repeatedly from atop the ice-cream trucks of today. The vendor
needed some other method of alerting the children of the neighborhood that he was
coming our way, and he had found the solution to the problem in the tall spokes on the
wheels of his truck. He had strung old sleigh-bells together, and he wove them in and
out between the spokes of the wheels, so that as he drove along, the bells rang-out their
jingling and jangling announcement of his arrival, as effectively as if he were driving an
old-fashioned, circus-parade wagon. We could all hear the ice-cream man coming
from way over on the next street.
Somehow the remembered music of those bouncing, jingling sleigh-bells, holds
more merriment in my mind, than all of the monotonous tunes being endlessly broadcast
from truck's loud-speakers these days, could ever achieve.
As for the bell in this painting, I don't recall exactly how it came to us. I suppose
that we could have found it in the street as a lost bell, perhaps even from the ice-cream
man's truck, but I vaguely recall that it was something my father had from earlier days.
It might have been an interesting story, to hear how he acquired it, but that was another
story never told.
Sunday, November 3, 2013
Lost And Found, No. 3
An original mixed-media painting, on illustration board
3.5x5", (mat size, 8.5x10")
$45.00, ( plus $10.00, pack and ship)
Thursday, October 31, 2013
Lost and Found, No. 5
An original mixed-media painting on illustration board
3.5x5", (mat size, 8.5x10")
$45.00, (plus $10.00, pack and ship )
As an update to my previous post, I have to report that I was much too optimistic
about the time required for recovery from my difficult surgery. Although I am getting
around fairly well now, I am still being carefully monitored, and that will continue for
three more months. But during my recuperation, I have continued to carry on with
a number of the miniatures which have occupied my time during convalescence, such
as the example in this post. I will probably be posting more of them, from time to time.
I have found a number of alphabet building-blocks, which have survived from the
1930's, in the bottom of a dusty old toy-box, and which fit well with the lost and found
theme. I have used one in this miniature and in some others which I may post later. .
Saturday, August 31, 2013
Snow White's Lost and Found Dwarf
I believe it was the year in which I was born, that Walt Disney released
Snow White and the Seven Dwarfs, the first full-length, animated feature film.
The film proved to be such a great popular success, that at the Academy Awards
Ceremony, Disney received a special honorary Oscar, accompanied by seven
miniature Oscars. Shirley Temple may have played a role as a presenter, in giving
the statuettes to Walt, but I'm not sure about that bit of Hollywood history.
Disney used the popularity of those seven little characters to licence them to toy
companies for reproduction in a great variety of forms, and I imagine that they are
still being commercialized to this day.
Some months ago, after a night of heavy rains, I found a little reproduction of
one of the dwarfs which a child had lost or discarded, and which was most probably
one of a set of all seven, The rain had carried it along the flooded, curbside gutters
from some unknown location, and deposited it in front of my studio at the opening
of the storm sewer. The little figure was lying there, along with one chipped and
scratched die, and only some twigs and leaf litter had prevented the two small
objects from falling through the iron grating into the sewer to be lost forever.
August was my birth month, all those years ago, when audiences were first
being charmed by Disney's dwarfs. And now I have to report that this August was
also nearly the month of my death. I had a heart attack, and that was followed by
extensive, open-heart surgery, and now a torturous recovery period which will last
past the middle of September.
During my painful convalescence, while I am waiting for the strength to return to
my normal routine of life, I have been doing some small drawings of little objects
including the little dwarf figure which stands just a bit over two inches tall, as well as
its lost companion die. I find the symbolism of this little lost fellow to be appropriate
to my message in this posting.....Just when we think that all is lost, our fate can
change, and the lost can be saved!
Tuesday, July 30, 2013
Calling The Birds To Breakfast
An original acrylic painting on canvas panel
20x16", unframed
$1,400.00, - (plus $25.00, pack and ship)
There is an old saying which declares that sentimentality is the death of art. That is
to say, the death of art for art's sake, or art with a capitol A. As I view this painting
again, I would certainly say that it has some of the major hallmarks of sentimental art,
including angelic sweetness and innocence, as the little girl tries to entice birds from
the shrubs with crusts of her morning toast. Undoubtedly there would be critics who
would say that the story-telling aspects of the painting would label the work as more
of an illustration than a work of true art However, there may be something more to
this painting than simple illustration; I would be interested in knowing the opinions of
the viewers of this blog on this subject, if anyone wold care to leave their comments.
If you like this painting I have more work with similar subject matter which I can
show in the blog, in future postings.
(click on image to enlarge)
Sunday, June 30, 2013
The Colors Of The Prairie
An original mixed-media on toned, Strathmore paper
18x24" unframed, ( mat size, 24x30")
$1,800.00, ( plus $24.00, pack and ship )
Visitors to the Kansas City area are sometimes surprised to learn that the growing
of tobacco was a long standing part of the local, agricultural economy. We tend to
think of the heart of America as being the bread-basket of the nation, growing our
important food-grains such as corn and wheat, while crops such as tobacco and
cotton are thought of as the more traditional harvests of the deep south. But some of
the earliest settlers in this area came from the plantation culture of the old south,
well before the civil-war, and they brought their tobacco seeds with them. The annual
tobacco auctions became a staple of life in this part of the mid-west, for many decades,
with the booming voices of the auctioneers calling for bids on the bundled, dried leaves.
Now, here and there, dotted among the fields north of the city, any remaining of the
huge, old tobacco-barns, may still echo with the auctioneer's calls.
( Click on image to enlarge.)
.
The composition of this piece is loosely based on a spiral design, focusing in on the
center-of-attention in the upper right quadrant.
In The Fading Light
An original oil painting, on gesso primed, Masonite panel
12x18", unframed
$950.00, - ( plus $20.00, pack and ship)
I recently found another of the paintings from the old days on Mount Adams,
which I have mentioned before in previous postings, such as Ten Ten Celestial,
and Dawn Over Mount Adams. In this case, the subject was a small house on
the eastern flank of the hill, which someone had completely remodeled. The false,
rectangular facade had been removed to reveal the peaked roof, which extended
over the recessed entryway at the side of the house, and nice, brick retaining-walls
had been constructed to create tidy, little gardens in front and back. However, I
was not concerned with creating a detailed image of a specific place at the time.
I was more interested in using the basic shapes of the scene in simplified forms,
letting all the details be diffused under the faceted gleam and extended planes of
the fading, evening light.
(Click on image to enlarge.)
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